作品別ランキング (邦人作品):
注意:全国大会以外のデータは不完全ですので参考としてご覧下さい。
順位 | 作品名 | 総数 | 金賞 (%) | 銀賞 (%) | 銅賞 (%) | その他 |
---|---|---|---|---|---|---|
1 | 交響三章(三善晃) | 15 | 6 (40.0%) | 8 (53.3%) | 1 (6.7%) | 0 |
2 | 大阪俗謡による幻想曲(大栗裕) | 14 | 11 (78.6%) | 3 (21.4%) | 0 (0.0%) | 0 |
2 | 交響曲(矢代秋雄) | 14 | 6 (42.9%) | 5 (35.7%) | 3 (21.4%) | 0 |
4 | 吹奏楽のための神話(大栗裕) | 9 | 6 (66.7%) | 2 (22.2%) | 1 (11.1%) | 0 |
4 | 吹奏楽のための協奏曲(高昌帥) | 9 | 2 (22.2%) | 5 (55.6%) | 2 (22.2%) | 0 |
6 | 復興(保科洋) | 8 | 3 (37.5%) | 1 (12.5%) | 4 (50.0%) | 0 |
6 | 陽が昇るとき(高昌帥) | 8 | 2 (25.0%) | 4 (50.0%) | 2 (25.0%) | 0 |
8 | ウインドオーケストラのためのマインドスケープ(高昌帥) | 7 | 2 (28.6%) | 3 (42.9%) | 2 (28.6%) | 0 |
8 | 管弦楽のための協奏曲(三善晃) | 7 | 1 (14.3%) | 5 (71.4%) | 1 (14.3%) | 0 |
10 | 科戸の鵲巣(中橋愛生) | 6 | 3 (50.0%) | 2 (33.3%) | 1 (16.7%) | 0 |
11 | メトセラII(田中賢) | 5 | 3 (60.0%) | 1 (20.0%) | 1 (20.0%) | 0 |
11 | シンフォニエッタ第2番《祈りの鐘》(福島弘和) | 5 | 2 (40.0%) | 1 (20.0%) | 2 (40.0%) | 0 |
11 | 三つのジャポニスム(真島俊夫) | 5 | 1 (20.0%) | 3 (60.0%) | 1 (20.0%) | 0 |
11 | パガニーニ・ロスト・イン・ウィンド(長生淳) | 5 | 1 (20.0%) | 2 (40.0%) | 2 (40.0%) | 0 |
11 | 竹取物語(三善晃) | 5 | 0 (0.0%) | 3 (60.0%) | 2 (40.0%) | 0 |
16 | 森の贈り物(酒井格) | 4 | 3 (75.0%) | 1 (25.0%) | 0 (0.0%) | 0 |
16 | アトモスフィア(名取吾朗) | 4 | 2 (50.0%) | 2 (50.0%) | 0 (0.0%) | 0 |
16 | ラ・フォルム・ドゥ・シャク・アムール・ションジュ・コム・ル・カレイドスコープ(天野正道) | 4 | 2 (50.0%) | 1 (25.0%) | 1 (25.0%) | 0 |
16 | 紺碧の波濤(長生淳) | 4 | 1 (25.0%) | 2 (50.0%) | 1 (25.0%) | 0 |
16 | 吹奏楽のためのカタストロフィ(保科洋) | 4 | 1 (25.0%) | 1 (25.0%) | 2 (50.0%) | 0 |
21 | 古祀(保科洋) | 3 | 2 (66.7%) | 1 (33.3%) | 0 (0.0%) | 0 |
21 | シンフォニエッタ第3番《響きの森》(福島弘和) | 3 | 2 (66.7%) | 1 (33.3%) | 0 (0.0%) | 0 |
21 | ラッキードラゴン(福島弘和) | 3 | 2 (66.7%) | 0 (0.0%) | 1 (33.3%) | 0 |
21 | 天使ミカエルの嘆き(藤田玄播) | 3 | 1 (33.3%) | 2 (66.7%) | 0 (0.0%) | 0 |
21 | 白磁の月の輝宮夜(樽屋雅徳) | 3 | 1 (33.3%) | 1 (33.3%) | 1 (33.3%) | 0 |
21 | ウインドオーケストラのためのバラッド(高昌帥) | 3 | 0 (0.0%) | 3 (100.0%) | 0 (0.0%) | 0 |
21 | トリトン・エムファシス(長生淳) | 3 | 0 (0.0%) | 2 (66.7%) | 1 (33.3%) | 0 |
28 | 天雷无妄(天野正道) | 2 | 2 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
28 | プラネット・ナイン ~未知への軌跡~(樽屋雅徳) | 2 | 2 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
28 | シネマ・シメリック(天野正道) | 2 | 2 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
28 | パラフレーズ・パァ《スタティック・エ・エクスタティック》アヴェック・アン・プロローグ・エ・レピローグ(天野正道) | 2 | 2 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
28 | 木挽歌(小山清茂) | 2 | 1 (50.0%) | 1 (50.0%) | 0 (0.0%) | 0 |
28 | 仮面幻想(大栗裕) | 2 | 1 (50.0%) | 1 (50.0%) | 0 (0.0%) | 0 |
28 | 交響的狂詩曲(福島弘和) | 2 | 1 (50.0%) | 1 (50.0%) | 0 (0.0%) | 0 |
28 | 永訣の詩(名取吾朗) | 2 | 1 (50.0%) | 0 (0.0%) | 1 (50.0%) | 0 |
28 | トリトン・デュアリティ(長生淳) | 2 | 1 (50.0%) | 0 (0.0%) | 1 (50.0%) | 0 |
28 | Mont Fuji (富士山) 〜北斎の版画に触発されて〜(真島俊夫) | 2 | 1 (50.0%) | 0 (0.0%) | 1 (50.0%) | 0 |
28 | シンフォニエッタ第5番《火焔の鳥》(福島弘和) | 2 | 1 (50.0%) | 0 (0.0%) | 1 (50.0%) | 0 |
28 | バッカナール (管弦楽のための饗宴)(黛敏郎) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
28 | パストラーレ(保科洋) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
28 | エクスピエイション (贖罪)(天野正道) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
28 | 管弦楽のための交響詩「連祷富士」(三善晃) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
28 | 楓葉の舞(長生淳) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
28 | 鳳凰が舞う ~印象、京都 石庭 金閣寺~(真島俊夫) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
28 | 交響的変容(三善晃) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
28 | 黎明のエスキース(阿部勇一) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
28 | ピース、ピースと鳥たちは歌う(伊藤康英) | 2 | 0 (0.0%) | 1 (50.0%) | 1 (50.0%) | 0 |
48 | シンフォニックバンドのためのパッサカリア(兼田敏) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 自然への回帰(齋藤高順) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 交響詩「おやさま」(山田耕筰) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 能面(小山清茂) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 管弦楽のための鄙歌第2番(小山清茂) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 吹奏楽のための「無言の変革」より「問い」(信国康博) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | パロディー的四楽章(深井史郎) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 元禄(櫛田胅之扶) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | ファントム・ドゥ・ラムール(天野正道) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 時の跳ね馬(中橋愛生) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | カプレーティとモンテッキ(天野正道) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 《GR》より シンフォニック・セレクション(天野正道) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | アニマ・メア・ルーチェ(福島弘和) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 秘儀Ⅶ〈不死鳥〉(西村朗) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | マードックからの最後の手紙(樽屋雅徳) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 交響詩《ヌーナ》(阿部勇一) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | いざ咲き匂はざらめやも(長生淳) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | とこしえの声~いまここに立つ母の姿~(樽屋雅徳) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | Crossfire 2023 ed. - November 22 J.F.K(樽屋雅徳) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | アウレア・レゲンダ(福島弘和) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | カタリナの神秘の結婚(樽屋雅徳) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | シンフォニエッタ第6番《息吹の花》(福島弘和) | 1 | 1 (100.0%) | 0 (0.0%) | 0 (0.0%) | 0 |
48 | 若き人々(中村隆一) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 管弦楽のための鄙歌(小山清茂) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 踊る行列(増田宏三) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 吹奏楽のための「無言の変革」より「そこに人の影はなかった」(信国康博) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 地底(名取吾朗) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 変容抒情短詩(三善晃) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 吹奏楽のための祝典音楽(廣瀬量平) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 華(田中賢) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 嵌め込み故郷(阿部亮太郎) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | オード(浦田健次郎) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 吹奏楽のためのファンタジー(夏田鐘甲) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 交響的断章I(池上敏) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 舞楽(黛敏郎) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 放射と瞑想(エマナチェ・イ・メディタチェ)(天野正道) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 翠風の光(長生淳) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 狂詩曲「ショパン・エチュード」(宍倉晃) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | ウィンドオーケストラのためのムーブメントII「サバンナ」(石原忠興) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 千載万葉の雪(長生淳) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 吹奏楽のための協奏交響曲(福島弘和) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 「エディソンの光」〜メンロパークの魔術師(八木澤教司) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | サンタ・カテリーナ ~幻視と黙想~(田村文生) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | アッフェローチェ(高昌帥) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | オール・デウーヴル(黛敏郎) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | キリストの復活(樽屋雅徳) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 「永劫の翼」~ジョン・フレミングの法則(八木澤教司) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | A ce qu'il y avait <アスキリヤヴェ>(長生淳) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | ウインドオーケストラのためのエッセイ(高昌帥) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | ルンバ・ラプソディ(黛敏郎) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 交響変奏曲(平吉毅州) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 吹奏楽のための交響的断章(福島弘和) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |
48 | 眠るヴィシュヌの木(樽屋雅徳) | 1 | 0 (0.0%) | 1 (100.0%) | 0 (0.0%) | 0 |